Wednesday, February 27, 2008
ADDvertising
Here is an add for issue 1 of Iatrogenesis. I've started bouncing back and forth between working on Sam and Iatro. I'm a little over half way done with Iatro and I've got a couple pages done of Sam (but I'm gonna take it real slow on that series, I don't want to rush it). I got a page done for Sam today, and I already penciled and Inked a page for Iatro. Then I did this add. Pretty busy day. Still not feeling great. Hopefully, I'll be better in a couple days.
Tuesday, February 26, 2008
More Early Years
Monday, February 25, 2008
JuneBug
Sunday, February 24, 2008
Wondercon
Saturday, February 23, 2008
Friday, February 22, 2008
Age 16
Here is a new drawing I did today. The first couple pages of the first issue of Sam jump around in time a lot, so I'm designing several looks for what Sam looks like throughout his life. This is Sam roughly around 16 years old. He is supposed to 18 in current continuity so this is pretty close to age right now. Check back for more on Sam and his aging process tommorrow.
Thursday, February 21, 2008
Early Years Sketches
Wednesday, February 20, 2008
150
Tuesday, February 19, 2008
Birth
So kinda an odd scene I know. These are some panels from the first Chapter of Sam. I started working on it today. This issue will probably take a long time to be finished, and on top of that I'll be working on Iatrogenesis at the same time, but expect to be getting frequent updates on both. Here's a close up of one of the panels in color.
Monday, February 18, 2008
Sam is back
Sunday, February 17, 2008
Slice/Dice
Thursday, February 14, 2008
Tuesday, February 12, 2008
Monday, February 11, 2008
Uzumaki 2
Sunday, February 10, 2008
Saturday, February 9, 2008
Puzzle Bobble
Friday, February 8, 2008
Robot Rock
Thursday, February 7, 2008
A Skull
Wednesday, February 6, 2008
Tuesday, February 5, 2008
Iatro Process
I do this for about all my comics. Here is a page process.
Step 1: Rough Layout. I do a really quick sketch of how I think the page should look. Sometimes I go with the first thing I do, but with this page I did about 3 or 4 before I decide on this one. I've been going for a specific type of visual layouts with this book. This page actually breaks that a little. Most of the pages I've done so far are all laid out horizontally, but this one is all over the place. Hell, it isn't even symmetrical. I think it's also interesting how close the 1 minute layout is to the final layout. Wow! Typing all that took longer than actually drawing that part.
Step 2: Pencils. You can see in this step all the lines I use to line up all the boxes and how I generally put the page together. The way I work, the pencils is still kind of a rough version of what the page is going to look like.
Step 3: Inks. Unlike a lot of traditional artists, I actually put just as much, if not more work in the ink process. This is where the page really takes shape. The shot up there has actually had a lot of digital work done to it already as well. It was actually two pages combined. A lot of the back ground elements were done on another piece of paper and then they were put together in photoshop.
Step 4: Color. Color is a really big part of Iatro. I think once you get to see the actual issue it will make more sense what is going on with the color. For this page I basically made everything green, and then put white on top as well as halftone patterns.
Step 5: Vector pieces. This is usually also where I put in lettering, but there wasn't any for this page. It made be hard to see in this small version, but I added a circle and arrow to show that the book is a blow up of the previous panel. There is also a dotted line to show the path of the apple. This is continued from the previous page.
I hope this was very informative. Now go and steal my process, that's basically all I do from other people.
Step 1: Rough Layout. I do a really quick sketch of how I think the page should look. Sometimes I go with the first thing I do, but with this page I did about 3 or 4 before I decide on this one. I've been going for a specific type of visual layouts with this book. This page actually breaks that a little. Most of the pages I've done so far are all laid out horizontally, but this one is all over the place. Hell, it isn't even symmetrical. I think it's also interesting how close the 1 minute layout is to the final layout. Wow! Typing all that took longer than actually drawing that part.
Step 2: Pencils. You can see in this step all the lines I use to line up all the boxes and how I generally put the page together. The way I work, the pencils is still kind of a rough version of what the page is going to look like.
Step 3: Inks. Unlike a lot of traditional artists, I actually put just as much, if not more work in the ink process. This is where the page really takes shape. The shot up there has actually had a lot of digital work done to it already as well. It was actually two pages combined. A lot of the back ground elements were done on another piece of paper and then they were put together in photoshop.
Step 4: Color. Color is a really big part of Iatro. I think once you get to see the actual issue it will make more sense what is going on with the color. For this page I basically made everything green, and then put white on top as well as halftone patterns.
Step 5: Vector pieces. This is usually also where I put in lettering, but there wasn't any for this page. It made be hard to see in this small version, but I added a circle and arrow to show that the book is a blow up of the previous panel. There is also a dotted line to show the path of the apple. This is continued from the previous page.
I hope this was very informative. Now go and steal my process, that's basically all I do from other people.
Monday, February 4, 2008
Thor
Sunday, February 3, 2008
Saturday, February 2, 2008
Mr. Average
Friday, February 1, 2008
BUM BUM BUM... the HULK!
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